Now in the sixth decade of his professional life, Herbie Hancock remains where he has always been: at the forefront of world culture, technology, business and music.  Herbie Hancock has been an integral part of every popular music movement since the 1960’s.  As a member of the Miles Davis Quintet that pioneered a groundbreaking sound in jazz, he also developed new approaches on his own recordings, followed by his work in the 70s – with record-breaking albums such as “Headhunters” – that combined electric jazz with funk and rock in an innovative style that continues to influence contemporary music. “Rockit” and “Future Shock” marked Hancock’s foray into electronic dance sounds; during the same period he also continued to work in an acoustic setting with V.S.O.P.

Hancock received an Academy Award for his Round Midnightfilm score and 14 Grammy Awards, including Album of the Year for “River:  The Joni Letters,” and two 2011 Grammy Awards for the globally collaborative CD, “The Imagine Project.”

Hancock serves as Creative Chair for Jazz for the Los Angeles Philharmonic Association and as Institute Chairman of the Herbie Hancock Institute of Jazz. In 2011 Hancock was named a UNESCO Goodwill Ambassador, and in December of 2013, received a Kennedy Center Honor. His memoirs, Herbie Hancock: Possibilities, were published by Viking in 2014, and in February 2016 he was awarded the Grammy Lifetime Achievement Award.

Since the 2018 release of Heaven and Earth and its counterpart The Choice, Kamasi Washington has toured the world over with sold-out shows in North America and Europe, including New York’s Apollo Theater and London’s Brixton Academy. Washington recently debuted his short film As Told To G/D Thyself which originally premiered at the 2019 Sundance Film Festival.

Washington is a multi-instrumentalist and producer born and raised in Los Angeles. Forming his first band, the Young Jazz Giants, with Stephen “Thundercat” Bruner, Ronald Bruner, Jr. and Cameron Graves in high school, Washington went on to study ethnomusicology at UCLA and play with Snoop Dogg, Raphael Saadiq and more. His debut album, The Epic, was released in 2015 to rapturous critical reception, embraced as one of the best of the year and awarded the inaugural American Music Prize. Heaven and Earth follows The Epic as well as Washington’s 2017 EP Harmony of Difference, an exploration of the musical concept of counterpoint that debuted as an original work for the 2017 Whitney Museum of Art Biennial.

Robert Glasper is the leader of a new sonic paradigm with a career that bridges musical and artistic genres. To date, he boasts 4 Grammy wins and 9 nominations across 8 categories, and an Emmy Award for his song for Ava Duvernay’s critically hailed documentary “13th” with Common and Karriem Riggins. His work and accolades bridge all aspects of the music business, from live touring to film scoring, composing and producing.

Evolution is his hallmark. Glasper’s breakout crossover album Black Radio changed the face of the genre and set a new expectation for what popular music could be. The album won him the Grammy for best R&B album and established him as the musician of choice for some of the world’s most iconic artists; notably playing keys throughout Kendrick Lamar’s To Pimp A Butterfly, winning another Grammy for the elastic track “These Walls”. The ongoing Black Radio series has since become Glasper’s calling card, upholding a place at the heart of a trailblazing community: from long-time sonic brothers Mos Def and Bilal, to legends including Ledisi, Lupe Fiasco, Kanye West, Jill Scott, and Erykah Badu.

Glasper’s eternal pursuit to further his sound has been consistent in challenging and transforming his creative horizons across the board. Whether producing a remix album with Kaytranda or as a bandleader, Robert consistently defies the limits of the genre. This is evident in a portfolio that ranges from his acoustic jazz trio; which simultaneously defies and elevates the traditional idiom by uniting it effortlessly with electronics from visionary DJ Jahi Sundance, to August Greene; a collaboration with Common + Karriem Riggins, to R+R=Now; a supergroup at the crossroads of hip-hop and Jazz.

In the last two years alone Glasper has seen a staggering diversity of success. He dropped Fuck Yo Feelings; a star-studded mixtape; his first on Loma Vista Records; with features ranging from YBN Cordae to Herbie Hancock to Yebba. The album was nominated for the Grammy for Best Progressive R&B album in the recent 2021 awards. He created an original score for the Emmy Nominated doc The Apollo and the feature film The Photograph starring Issa Rae. He led a legendary residency at the Blue Note NYC with 56 sold-out shows in 27 days which saw everyone from Dave Chappelle to Tiffany Haddish, Chadwick Boseman, Q-Tip, Anderson.Paak and Angela Davis join him on and off stage. And, alongside long-time collaborator, co-producer, and creative partner Terrace Martin, he formed another dream team supergroup featuring Kamasi Washington and 9th Wonder called Dinner Party, who together wrote and recorded a debut self titled album that was released to rave reviews.

With boundless innovation and elite technique as his signature it’s no surprise that Glasper has an avalanche of accolades, awards, and achievements to his name – most recently being asked to play at the 2020 March On Washington with Derrick Hodge and funk legend, Sir George Clinton. In August of 2020, Robert released ‘Better Than Imagined’ which won the Grammy for Best R&B song in 2021; the first taste of his hotly anticipated forthcoming Black Radio 3 album. Featuring H.E.R and Meshell Ndegeocello, the song advocates for Black love and the power, and responsibility, we have to improve our world; again demonstrating that, above all, Glasper is an artist at the heart of a moment – and a movement – to champion Black music, Black people, and the possibility of a better future. The hip-hop-head-nod ballad is a dedication to just that: the beauty and brilliance of a heritage that is as much Kendrick as it is Coltrane, and which seeks to empower and uplift with every offering.

In his own words:

“Black lives matter and so does black love; no one wants a life without love, but we have generations of people in our community who haven’t had the tools to actually be in healthy relationships. It seems like people are finally ready to open their eyes to systemic racism in this country, and if we’re going to talk about it, we have to also talk about how it affects our relationships — how we communicate, how we see ourselves, how we treat each other. It’s not always good, even though maybe it could be.” – Robert Glasper